Handicraft: Handmade by the top traditional tailors

Fabric: Various top traditional fabrics

Size: All listed sizes are in stock, and you may simply select your size based on the size chart

If you prefer to let our top traditional tailors specially custom one set for you, you may select "Free Customization" and leave us a note containing your measurements of height, weight, bust, waist and hip on the order form.

Color: If you like the same color most, please select "Same as the picture".

Free Urgent Tailor-made Service: It takes 1-2 weeks for our top tailors team to specially make it for you if you choose to customize it. If you need to receive it urgently for an event, you may leave us a message about the receipt date on the order form. Then we will specially arrange it for you without additional fees!

Rich Artistic Connotation & Historical Background:

Ma Zhaoyi Chinese Ping Opera Costumes and Headwear Pingju Opera Laosheng Apparels Elderly Male Clothing Ma Zhaoyi, also known as Ma Sanli, was a renowned Chinese opera performer who lived during the late Qing Dynasty.

His contributions to the development of Peking Opera, particularly in the field of male roles, have been widely recognized.

Ma's costumes and headwear are an integral part of his legacy, reflecting the intricate craftsmanship and cultural significance of this traditional art form.

The Peking Opera costume is a complex ensemble that includes various layers of clothing, each with its own unique design and purpose.

The most important component is the changshan, which is a long robe worn by male performers.

The changshan is typically made of silk or other fine fabrics and features intricate embroidery and patterns.

It is designed to be loose-fitting and comfortable for movement, allowing the performer to easily transition between different scenes and movements.

In addition to the changshan, Ma's costume also includes a pair of pants called chuanqiu, which are made of cotton or linen fabric and are often adorned with intricate designs and patterns.

The trousers are designed to be tight-fitting and provide support for the performer's legs during performances.

Another important element of Ma's costume is the headwear, which includes a hat called baozi and a mask called jianzi.

The baozi is a wide-brimmed hat that covers the performer's forehead and nose, while the jianzi is a thin, flat mask that covers only the performer's eyes.

Both pieces are designed to protect the performer's face from the elements and enhance their appearance on stage.

Ma's costumes and headwear were not only functional but also highly decorative.

They were often adorned with intricate embroidery, gold thread, and precious stones, making them both beautiful and impressive works of art.

These items served as symbols of status and wealth for performers, as well as a way to express their personal style and creativity.

In conclusion, Ma Zhaoyi's Chinese Ping Opera costumes and headwear are an essential part of his legacy as a masterful performer.

They reflect the intricate craftsmanship and cultural significance of this traditional art form, while also providing practical benefits for performers during performances.

Through these items, we can gain a deeper understanding of the history and culture of Peking Opera, as well as appreciate the beauty and complexity of this timeless art form.

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